Songs and sounds made with a 1949 piano in a 1939 house with the help of 1980s synths. Plus: guitars, drums, and microphones tucked in tight spots*.

*including the concrete stairwell.

Sounds by Spils

PBS Art by Northwest: audio theme for Northwest Artists

Stoke Space: cinematic sound for a rocket co, on the rise

Seattle Times: anthemic rock for a site makeover

ExOfficio: dreamy soundscape for South Australia

Vanity Fair: audio identities for an iconic brand

Sound Stories

Audio theme for a video series about Northwest artists

Fifteen seconds. You’d think a tune that short would be easy, but a theme song that sets the tone of a series (without getting in the way) is a tall order.

That’s what I set out to do for the new Cascade PBS show “Art by Northwest," which covers artists across Washington state. The producers identified a song (just over 1-minute long) I’d written some time ago. They liked the vibe but needed the same feeling packed into 15 seconds. They also felt the vocal melody had too much personality (a possible distraction from the narration), so the producer wanted me to try it with a guitar carrying the melody.

I dug into the key elements of the pre-existing song: piano arpeggio, warm percussion brushes, and a distinctive melody (this time on a reverb-heavy Telecaster), and edited them into 15 seconds of crescendo/peak/resolve.
And with that, the audio theme for the Art by Northwest series was born — an intro that welcomes viewers to meet a new Washington-based artist in each episode of Season 1, with Season 2 already in the works. Thanks for listening!

How to "build" a rocket with a stove, a torch, and an iron.

How to "build" a rocket with a stove, a torch, and an iron.

Creating sound for the Stoke Space Technologies logo was a … blast. I combined a steam iron, a propane torch, and our 1989 Thermador gas stove — everything BUT the kitchen sink. The resulting sound collage fits perfectly with the logo redesign and animation by Lake & Pine Creative. Note: I did not have room in the ‘making of’ video to squeeze in my trusty 1984 Roland JX-3P synth (the sound of the data “chatter”), which I purchased in high school in Anchorage.

Stoke has the challenging work of actually going to space, but our household appliances are cheering them on!

Soundtrack for a book trailer

I read an early copy of The Eunuch (a wild and wildy imaginative work of NC-17 historical fiction) before writing this soundtrack for Charles Fischer’s book trailer video.

I quickly developed a bass line in the left hand, leaning on the chromatic half-step to impart a sense of intrigue and mystery. Next came the simple melody. Easy. But that’s where “easy” stopped and the trying-out-lots-of-other-ideas began. I kept coming back to the primary love interest in the novel, Sidhuri.

Around the 2:30 mark I expanded the melody into a leitmotif (a term I learned recently after attending the 4+ hour Wagner opera Tristan & Isolde). Sidhuri’s theme is like her, languid and exotic. The initial modal melody moves in off-kilter 3/4—then returns to earth, grounded in 4/4 time.

But it wasn’t all think-y. I pulled out my trusty 1974 telephone mic and recorded a boat load of feedback to create unease and tension behind the entire track. I howled and sang a few notes into the distorted telephone mic which you can hear under the 3 chapter cards which organize the video.

For the grand finale, I reversed a single low note on the Steinway (Jimi Hendrix would have flipped the 2” tape; I relied on software) so it would crescendo as the book cover appears in space. I sprinkled that with tambourine, strings, more telephone feedback and a final single piano note (this time in forward motion) and voila: Charlie has an author video for his debut novel, The Eunuch. Thanks for listening!

The Sound of Stoke

At the 0:07 mark of this STOKE Space Technologies video, a deep-throated choral voice enters the mix. To make this sound, I sang into a 1978 Bell Systems military telephone hooked up to an octave foot pedal, and ran it through a guitar amp (built by Seattle amp legend, Ben Verellen). The moody vocal sets the tone for the rest of the composition — piano, strings, drums, and a slew of clicks and whirs generated by my trusty ‘80s Roland synths. 

It’s nothing compared to actual rocket science, but I’m amazed by the advances in multi tracking software in my lifetime (I use Logic Pro X) that allow me to make a little space magic in my home studio.

Thanks to Lake & Pine for the stellar visuals and to Stoke for building reusable rockets.